Urban Magazine is an independently designed editorial publication exploring the urban environment through photography and experimental typography. This issue focuses on Sydney, Australia, examining the city's overlooked HVAC systems as a source of visual inspiration.

Drawing from the structural and mechanical qualities of these systems, I developed a visual language that translates elements of urban infrastructure into typographic forms, grid structures, and graphic systems. Through original photography, editorial design, and experimentation with typography, I explored how the city's functional structures could inform the visual identity and composition of the publication.

HVAC is an experimental display typeface inspired by the mechanical structures of heating, ventilation, and air conditioning systems found throughout Sydney's urban environment.

Drawing from the geometry of exposed ductwork and industrial infrastructure, I developed a consistent modular grid to guide the construction of each letterform. Through the combination of curved and angular forms, the typeface translates the structural qualities of these systems into a cohesive typographic language. The resulting letterforms explore the relationship between urban infrastructure and typography, transforming overlooked mechanical structures into an experimental typographic system.

Lines is a conceptual coffee brand that sits at the intersection of coffee, creativity, and design. Drawing inspiration from the harsh lines and raw materiality of brutalist architecture, I developed a visual identity and packaging system that reflects these structural qualities through typography, geometric forms, and an emphasis on materiality.

Built around the statement "caffeine crafted to fuel creatives," Lines is a brand dedicated to the environments where creativity and culture thrive. Imagined within the creative scene of East Williamsburg, Brooklyn, the brand caters to a younger audience immersed in design, fashion, and electronic music. Lines positions coffee as a source of energy for both creative production and expression.

Music Becomes Data is an interactive installation concept developed as a proposal for the Powerhouse Museum in Sydney, Australia. Centered around the Rio PMP300, one of the first commercially successful MP3 players, released in 1998, the installation explores the early days of digital music and the process of transforming sound into data.

Drawing inspiration from the device's limited 32 MB storage capacity, I designed an interactive experience that invites museum visitors to curate a personal playlist of songs from the era. Through a series of digital interfaces and generative visualizations, visitors experience the process of selecting, compressing, and transferring music onto the device.

As each song is compressed, sound is translated into pixels, making the invisible process of digital compression visible. The installation encourages visitors to reflect on how technological limitations once shaped the ways we collected, stored, and interacted with music.

Eye Contact is a self-published photographic zine documenting the people and places observed while moving through Bangkok, Thailand.

Through street photography, experimental image sequencing, cropping, and collage, the publication explores brief moments of connection between photographer and subject. Combining documentary photography with playful editorial compositions, the zine reflects an interest in everyday encounters, urban environments, and visual storytelling.